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Monday, 31 December 2012

BBC Sound Of 2013: 5th Place - Chvrches

Creating a flare of preppy electric pop, it's no question to how big mysterious Scottish ban Chvrches (pronounced "Churches") are going to be in 2013

Chvrches have been announced as 5th place live on the morning Radio 1 Breakfast show: and 5 out of 12 has no shame; Enter Shikari, The Drums and La Roux all bagged 5th place also.

So who are Chvrches? With there abnormal name tying in with their abnormal sounds; basically they're one of the bands to watch rise and gain strength in numbers this year. With catchy chorus's lyrics boomed from the haunting lyricist of Lauren Mayberry; Chvrches sound stands out head and shoulders above the rest of pop.

2012 has been a slump in the music scene; seeing factory made groups such as One Direction and JLS rise to be "the best", but could 2013 have a shining golden pathway for Chvrches to waltz up?

The Glaswegian trio mix an electronic quickening of the heart, using shoe gazing tones, to a soft and subtle emotion-fulled-sun-shining feeling. Influenced by the likes of Kate Bush, Prince and Eliot Smith; waves of old and new can be heard entwined through their music.

If Chvrches are anything; they're the game changer the critics and lovers of all things music have been sat on the edge of their boom-boxes for. Chvrches was formed by Martin Doherty and Ian Cooke; and after weeks of brainstorming a name: they came up with the original "Chvrches" so that when their name became instantly famous; they wouldn't be confused with Churches.

One of the main songs that have aroused the hidden music lovers, scouring the Internet for something fresh is from a new, un-heard of band is, "The Mother We Share". Taking less that 48 hours to write and record; Chvrches have specifically gave it a hard packing punch which has sent the song soaring! Mayberrys lyrics sing of sweet happiness but are jerked up and jolted into oblivion with the simple aid of a synthesiser.

Chvrches deserve their place in the top 5 sound of 2013; watch this space. By this time next year; you won't understand how you even managed through the days without them.


Friday, 21 December 2012

BBC Sound of 2013

The infamous list of your to-be-famous-artists is back; and it's bigger and more brilliant than ever.

It's the end of another fantastic year in music; and just like every year, music critics compile a long-list of bands and solo-artists that they believe are really going to be somebody next year. For the past ten years, the BBC Sound of long-list has produced the names of some of the biggest stars on the planet. White Lies, Ellie Goulding, Skrillex, Lady Gaga and Bloc Party to name a few.

The 2013 Long-list:

AlunaGeorge
A*M*E
Angel Haze
Arlissa
Chvrches
Haim
King Krule
Kodaline
Laura Mvula
Little Green Cars
Palma Violets
Peace
Savages
The Weeknd
Tom Odell

Music critics, music journalists, editors and music gurus have put forth these fifteen names as the ones to watch in 2013. Fizzy, exciting and most of all: new.

The winner of the 2013 sound of award will be announced on the Radio 1 breakfast show with DJ Huw Stephens; a lover of all things new and under the radar. The recipient will be announced on the 4th of January.

Sunday, 9 December 2012

The Vaccines / Gig Review























The Vaccines, one of the most influential and rising indie-rock bands of the moment. Their second big-sellout headline tour; their third time playing the O2 Academy in Newcastle... And what a night it was!
The night started with three very different, very varied support acts tailor picked by The Vaccines themselves, Pale, Deap Vally and DIIV. Throughout the three virtually unknown support acts, the crowd were very polite, quiet and un-attached. They listened rather than moved

The first act to grace us was Pale - a two piece opening the gig with rigid politeness, strong synthesised beats and quiet humming down the mic, you could tell that these two were nervous as hell!

The second act was Deap Vally, two country-influenced rock chick's presenting themselves in a way not many men rockers, let alone ladies can. With a strong presence on stage, despite some technical difficulties, the two Americans swept and swooned through their set of powerful guitar riffs, a banging drum beat accompanied with raunchy vocals; heightening the mood of the un-aware crowd ever so slightly. Siren songs.

The third support was from American syntho-pop band DIIV. Combined woozy guitars and indie boy haircuts; the band swooped through their longer-than-necessary set. With breathless vocals and an odd stage presence, you could tell that it was about time the act everyone had came to see to appear.

And appear they did. Justin Young with his "messy hair" and double denim rocketed on stage to deafening screams from girls and boys. Rolling straight in with "No Hope". A chorus of "No Hope!" was screamed throughout the academy as the electrifying quartet preformed a mind-blowing set of extraordinary brilliance.

From rolling into the new album "Coming Of Age" and flipping between their award-winning debut "What Did You Expect From The Vaccines?", The Vaccines put on a show of shining energy; steam could really be seen coming from Young's scraggy hair.

Finishing on a high of single "Norgaard", the crowd of the Newcastle Academy were treated to a fast action fist pumping hard-hitting jolt of reality. A musical high was a strong mutual feeling that night. You could see the bright twinkle in every ones eyes and the only words that were uttered were a "WOW".


The Vaccines are really something else

Saturday, 24 November 2012

Songs of the week 24/11/12

1. Lana Del Rey - Body Electric


You either want to be her or be on her, everybody's favourite lady of darkened gothic pop has returned to save our failing music system in a blaze of glorious light.  Lana Del Rey's hauntingly gripping vocals ooze passion and sadness in track five of her band new album, imaginatively named "Born to Die - The Paradise Edition".   "Body Electric’s” eerie Gothic vibe entices you forward to enter the hideout of the ghoul which has decided to vacation inside Del Rey for the time being.   A song filled with strong influences of re-occurring father-daughter issues, the steady pulse rate echoes.   The carefully planted beats which act like slippery stepping stones and heart-racing-adrenaline-pumping drama; the mystifying music pushes you forward in a stupor of maddening slumber.    Del Rey's sickly sweet lyrics pierce the veil of a blackened, unknown wedding procession between two un-named lovers.    She spins and dances while taking you on a never-ending spiral through the Gothic Forrest which crowds your mind.   Punctured by un-even rhythms which jangle and spring together to form something breath-taking, we get a vague insight into how alone and feeble Del Rey really is.   Is she hiding behind the dresses and make-up?  Is there something feeble and weak lying under all of the sinister tonight Lana Del Rey uses?    Freedom: alone   . She sings the body electric - and lets us ever so slightly deepen ourselves into the fizzing current which is spinning her webs. Can Del Rey do no wrong?



2. The Vaccines - I Always Knew

It finally seems as if The Vaccines have been spending far too much time betting at the races recently on tour, rather than jamming together on their guitars, drinking and genuinely getting fucked like most rock bands do these days.    The surprisingly quick up-tempo beat of a western showdown is propelled into oblivion in the brand-new single from the scraggly haired indie rockers The Vaccines.   Catchy: chirpy: cool.    The Vaccines have caught the temporary feeling of falling in love with somebody who was sectioned to the dreaded 'friend zone' all along in simple chords and rhyme which shoot electric Goosebumps through the atmosphere.    The feeling of a final realisation has been captured perfectly in the storm of woozy guitar riffs and a belting drum line; the power has been thrust forward and thrown into total chaos which really works.    The echo of Justin Young's simple lyrics ploughing down the playing field of this racing song is phenomenal!    The magical imagery of a gallant horse battle through the desert creates an almighty atmosphere.    This song is an eruption - and a wild one at that!



3. Mumford & Sons - Broken Crown


"Touch my mouth and hold my tongue" Marcus Mumford hums romantically against the gentle lull of his acoustic guitar - opening up new waves of teratory for the world-renowned four piece. Broken Crown is the defining moment of the newly released and critically acclaimed album "Babel". Before the familiar hands begin the plucking of the original Mumford & Sons banjo kicking in, Marcus preforms the first section of this song alone - opening up the ears and eyes of the audience at home. We see Mumford in a new light - a light which seems to show that he is in fact not jesus and actually a human. A contrasting silent roar from Mumford later and we're plunged deep into a pool of complete joy and excitement as the banjo rattles on further. The pounding fuels the tempo inside of your heart as the song lifts you forward to bring yourself to say a chorus of "fuck it all away". From a strong, gallant, moving shout - to a quick snap of a fallen branch, we're taken back to the cold and soft land we had started the journey of the song from. We're brought back from the deep plunge that has us surrounded with lyrics that nobody really understands, but having to question would mean a Mumford & Sons scorning. Up until the very velvety subtle ending, Mumford & Sons have created a brilliantly moving song full of raw emotion transporting you anywhere, anywhere you want to go.

Monday, 5 November 2012

Spector / gig review

Halloween night brought ghouls and ghosts and slender-man from the woods; and we can't forget the Spector.

"I'm not what you want you fell in love with an idea and I was never never never never never enough so tonight I'm riding out of here".

At a halloween themed gig in the centre of Newcastle, students and adults alike had perfected their cat purs, whitened their faces with the colour of blood and there were also some sneaky front-man look-alikes to the left of the stage. Halloween was sure to be a treat (rather than a trick.)

"It's Friday night, don't ever, don't ever let it end"

In the small-box room of the Newcastle O2 Academy (the o2 academy 2) the feel for the night was set with the first support band - three drunken men dressed as a scientist, the hulk and Santa Claus... Yes, Santa Claus. The three mad men were in the form of support band Luls. With jangly indie influences which sounded like crashing through a wood, the three men bobbled and tapped on stage with the occasional head-bang from the hulk himself.

"One you started coming over, two you started sleeping over, three you started taking over, four you told me it was over"

Another half an hour in and the un-expecting crowd were hit with Kiss aka Swim Deep. With starry white faces the indie-pop band fronted by the handsome Austin Williams, bounced through their support set of a brilliant five songs. New single 'Honey' (which is available for purchase now) whipped the crowd up into a frenzy! Head nodding, shoulder sliding and arms high in the sky: Swim Deep really attracted the attention of the student crowd and prepared and built them up for what was to be - a truly amazing Halloween night.

"I'm holding on with both hands but I'm ready to let go"

Spector arrived on stage - in a one-night-and-one-night-only fashion. Dressed head to toe in fancy dress, Fred Macpherson grabbed the room with both hands and jolted into a fast-paced heart-rocking version of 'Twenty Nothing'. If you were on the barrier I sincerely feel sorry for you - the crowd was going crazy and it was quite possible to be an inch away from Macpherson's hand as he jumped straight into the juxtaposed song 'Grey Shirt and Tie'

"Hold me, wont you hold me?"

The mosh-pits were out in full force from the boys dressed in togas for a second encore of 'Chevy Thunder' "for one night Newcastle? Let's play it again" Macpherson hollered down the mic before being drowned out by the terrifyingly magical crowd.

"I know you laugh behind my back, I know you think I'm on my own"

Spector know how to raise the mood - and mellow it instantly with the click of their fingers. These aren't just another indie band with simple riffs and lyrics trying to make it. This is the indie band that is headlining their own tour of the country after playing support to hero's like Florence + The Machine. If anything; the night opened my eyes again to what a real gig looks and feels like: sweaty, hot, sticky and exciting. If you're given the chance to see Spector, go. Really.



                           "We didn't have to fall in love. We could of climbed down slowly"